Then you shift your hand up to the third fret on the first string, execute the same pattern in reverse, then move back to the second string a fret higher, and play seven, six, five, four. After playing the third, fourth, fifth and sixth fret on the second string, you shift your hand back to the second fret of the first string, and play second, third, fourth, and fifth. This pattern can mess with you a bit at first. We'll still be using the same index-middle-ring-pinky pattern, but we're gradually going to work our way up the fretboard, towards the body of the guitar. This chromatic scale exercise is more laterally focused compared to the first. Guitar Exercise #2 – Lateral Chromatic Pattern ![]() So, for example, after playing the first, second and third frets, your index, middle and ring fingers would stay on (until you play the final note with your pinky). If you want to challenge yourself, you can also attempt to keep all of your fingers on the fretboard until you move to the next string. This is an exercise every beginner should know and be able to play, but in case there's anyone out there that hasn't tackled it yet, now is the time. Start with your pinky on the fourth fret on the first string, and end with your index on the first fret. Then you would simply maintain the same fingering/fretting pattern on each of the strings as you move down.Īfter repeating the same pattern on each of the six strings, it's time to work your way back up in reverse. So, you would play the first fret with your index finger, the second fret with your middle, the third fret with your ring, and the fourth fret with your pinky. This is a basic “finger exercise” or “warm up” in which the goal is to use each of your fingers in a sequential manner. Exercise #4 – All-In-One Finger PatternĬhromatic Scale Exercise #1 – Finger Exercise.Chromatic Scale Practice Exercise #3 – Shifting Positions.Guitar Exercise #2 – Lateral Chromatic Pattern.Chromatic Scale Exercise #1 – Finger Exercise.Get it down and experiment with your own. So make sure that shoulder and/or elbow isn't tensed up! The picking hand should be relaxed be sure that there are no muscles in your right arm in a tense state, and be sure that the only muscles that are being executed are ones that are incorporated in your picking technique. Descending, it is simply reversed we descend one string, and shift down 1 fret at a time. This pattern is common to the entire scale with the exception of the B to G string (which is slightly deviated to up 1 string with no position shift). For instance, from the high E string to the B, the position simply shifts up one string, and back one fret. The scale starts on the 10th fret of the high E string, it then descends one semitone at a time through the chromatic scale until reaching the Eb note of the low E string, at which point, we slide our index finger down to the D note, and begin to ascend back through the scale.Ī few things to note: the pattern is very "symmetrical" in the sense that from string to string, we see very common note patterns. you have 4 (sometimes 10!) usable fingers, so why not make use of them? ![]() Many people have a tendency to neglect use of the pinky, and in the long-run, that'll only hurt you as. ![]() Not only does it tie together most (if not all) of the techniques discussed in the introductory video, it'll teach you the discipline that you may need when it comes to proper execution and use of all 4 left hand fingers. This exercise is one of the most commonly used by many guitarists in the "shred-world". Chromatic scales in this context, are basically nonsense-scales that are to be used for practice and warm-up purposes.
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